BETWEEN MANUFACTURING WORKSHOP AND FACTORY SYSTEM
Very rarely the relationships between architecture and popular manifestations have transcended beyond the physical or representative limits of a building. However, as a result of the political and economic role unleashed by the Industrial Revolution, an architectural program welcomed the popular desire to transcend these limits and take by storm what was presented there: a factory space for the creation of a new society.
Since the mid-eighteenth century, the industrial architecture of manufacturing factories staged a new model of economic development for countries, characterizing the emergence of industrial powers as a new vector for the differentiation of development between them.
Within this context, the transition from agrarian economies to other industrial ones was the subject of reflections and criticism of various natures. While on the one hand the challenges or consequences of this new model were debated, on the other hand, technological innovations for industrial production were promoted, with a correlate of new forms of mechanized work, challenging architecture to overcome the illustrated manufacturing workshop program from Diderot and D'amabert (1772) to put them in the perspective of Andrew Ure's factory-manufacturing system (1835).
How did this debate take place in Santiago? How were the Chilean factories registered within this perspective? What role did this difference assume within the social movement?

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